26th September / 9.00 pm / Rossini National Museum
26th September / 10.00 pm / Rossini National Museum
Single ticket € 3
Pre-sale starts: 25th August
Mualem / de Filippis Dance Projects
Choreography and concept: Michal Mualem (Israel) / Giannalberto De Filippis (Italy)
In an extreme situation we find a thread of serenity, a way to touch others through the nakedness of ourselves, a way to be touched, exposed to feel the urgency to change the idea of being together.
Duration 15 minutes
Performance in the context of Patrimonio in Scena (Heritage on stage)
For the diffusion of the live show in the Cultural Institutes of the Marche Region
promoted by the CMS Consorzio Marche Spettacolo, Marche Region and MAB Marche
Patrimonio in Scena is a special project born from the collaboration between the Marche Region, CMS Consorzio Marche Spettacolo and the Marche coordination between the MAB Marche Museums, Archives and Libraries, promoted by ICOM, ANAI and AIB. The project aims to enhance the precious regional cultural heritage through live entertainment events organized by the CMS members, experimenting with innovative formulas of interaction and fruition.
MICHAL MUALEM (Israel)
Her training as an artist, dancer and teacher ranges from classical to contemporary, from choreographic composition, improvisation and Contact to the Feldenkrais method. Until the age of 15 she practices artistic gymnastics at national level.
From 1994 to 2001 she worked as a dancer in Israel in companies such as Liat Dror and Nir Ben Gal Dance Company and Noa Dar Dance Group as well as collaborating with choreographers such as Inbal Pinto, Niv Sheinfeld and Anne Mary Porass. During this period she also presented her first work, Brown Sugar, as a choreographer at the Suzanne Dellal Center in Tel Aviv. Since 2001 he has been a permanent member in Berlin with the company of Sasha Waltz, dancing in productions such as Korper, Nobody, Insideout, Impromptus, Dido and Aeneas, Dialoge 09 for the opening of the Neues Museum in Berlin and Maxxi for the inauguration of the Museum of 'Modern Art in Rome.
In 2012 he was assistant choreography for the resumption of Sasha Waltz's creation Nobody at the Göteborg Ballet.
In 2013 she took part in Sasha Waltz's new creation, Sacre.
In these years he collaborates again with the choreographer Noa Dar in Arnica and with Roberto Zappalà for only Instrumet 2, the suffering of the body.
In 2014 he dances again with Sasha Waltz in Orfeo and in 2015 he continues his collaboration with Sasha Waltz in Romeo and Juliette. Since 2005 she has deepened her commitment to teaching contemporary dance in its various forms, combining and reworking them in a completely personal sense, between release technique, dance theater, contact and improvisation.
In recent years he has been teaching in international centers such as Suzanne Dellal Center (Tel Aviv) and the Jerusalem Academy (Jerusalem), Scenario Pubblico (Catania) and IALS (Rome), SEAD (Salzburg), Burkley University (California), to name a few.
At the same time he began his choreographic path, creating from 2005 to today, numerous choreographies in independent projects, commissioned by professional academies such as Modem in Catania and SEAD in Salzburg, companies based on "Guests Choreographers" and last but not least, projects supported by Festivals such as Curtain Up of Tel Aviv.
His works are represented in international festivals such as Aerowaves, Tanec Praha, OperaEstate, Festival de la Citè and others.
GIANNALBERTO DE FILIPPIS (Italy)
He practices Chinese martial arts for 14 years, it is his first experience of studying the body and movement and it represents a fundamental root in his way of thinking about dance.
In 1998 he worked in Giulia Gussago's company "Lyria" in Brescia.
In 1999 he graduated from the London Contemporary Dance School and subsequently studied techniques such as release, Limon, Contact and Improvisation with masters such as Poul Douglas, Sasha Rubicek, Kerry Nicholls, Sue McLannan, Adam Benjamin, Fin Walker, Gill Clarke, Siobhan Davies, Jeremy Nelson and other.
As a dancer between 2000 and 2002 he worked in Switzerland in Philipp Egli's "Molteni" Company, in Germany with Iztok Kovac (En-Knap), Martina Labontè, Mikel Aristegui, in 2003 with Sasha Waltz and in 2007 he worked in the Naturalis Labor Company of Luciano Padovani in La Catedràl.
In 2009 she dances in Dialogue 9 - Maxxi again with the choreographer Sasha Waltz.
In 2010 he worked with the Abbondanza Bertoni Company in the A Libera Figura productions and in 2011 he danced again for the same company at the Piccolo Teatro in Milan.
In 2014 she worked in the Compagnia Naturalis Labor in Romeo y Julieta and in 2017 she danced in the Circle for the choreographer Roberta Zerbini.
As a choreographer he began his career in 2001 when he presented his first choreographic work, Drops of Memory. The following year he staged Touching feet under the covers.
Since 2005 he has choreographed various works together with Michal Mualem: the duet In Between, awarded in 2006 at the 20th International Choreographic Competition in Hannover, the trio Here and not and the quartet Silenzio Cucito.
Since 2007 he has created, again together with Michal Mualem, some of the choreographies of the “Modem” specialization course directed by Roberto Zappalà in Catania.
In 2008 he choreographed together with Silvia Bertoncelli Paper-Wall, awarded at the “Danz'è” Choreographic Competition as part of the Oriente Occidente 2008 Festival.
In the same year he choreographed with Michal Mualem And after all that ... for the Haifa Company "HaDance" in Israel and, the following year, the duet Broken Alright.
In the same year he also created Mr Moon Mrs Luna for the “Vizo” art school in Haifa.
In 2014 he created two choreographies for SEAD, Salzburg Experimental Academy of Dance, Seexteen Feet in, Two Feet out and Is it okay if I Die like this ?.
In 2016 he worked with Giulia Gussago in the Verziano Project entitled La Causa ed il Caso, in collaboration with La Casa di Recclusion Verziano (Brescia) and created a first studio for the new creation Stones in Motion, a quintet created for non-theatrical scenarios, site specific .
As a teacher since 2002 he teaches Contemporary Dance, Contact and conducts Choreographic Workshops in numerous seminars throughout Europe and Israel, developing his own methodology.
During his career he has taught in academies and international professional centers including SEAD (Salzburg), MODEM (Catania), TANZFABRIK (Berlin), IALS (Rome), to professional and amateur companies. Per Actori proposes a specific work on movement and on the body in intensive stages.
In 2016 he started a collaboration for the training of educators and operators in the social field.